Banish your bah humbugs and celebrate the season at the Indiana Repertory Theatre! A Christmas Carol shines a light on the power of kindness and love in this uplifting tale of one man’s journey to redemption. As the weather turns cold, warm your heart with story and song at the IRT.
Sweet Seats!
Make sure to reserve a seat in the center section, rows A-H for the best seats and a delicious treat from DeBrand Fine Chocolates of Indianapolis! This option is available for all public performances of A Christmas Carol.
ASL-interpreted, audio described and open captioned performances are available on select dates
Content Spotlight: Contains mild profanity and depictions of alcohol consumption, death, as well as ghosts and other imagery and effects that might frighten young children.
Get Involved!
Special Programming
Kick off the holidays with an afternoon filled with the Christmas spirit! Families not only get to enjoy the beloved IRT classic A Christmas Carol, but also a holiday snack and beverage to enjoy during the show, an artist conversation after the play, and an interactive program where everyone gets to make and take a Victorian style decoration to take home. No bah-humbugs here, just a Dickens of a good time!
WHO: Families & Youth
WHAT: Charles Dickens’ A Christmas Carol WHEN: Nov. 15th | 2-5 PM Order of Events: Grab a pre-show snack on the mezzanine, relax and enjoy the show, ask questions at the post-show Artist Conversation, create a special holiday craft. COST: $50 ($60 if booking into Sweet Seats center section rows A-H)—includes ticket to the show, snack & materials for activities
Following the 2 PM performance of A Christmas Carol
Engage with the creative minds behind the scenes through staff-led Artist Conversations. Dig into the artistic process, gain insights into the production’s development, and connect with the actors, directors, and designers who bring our shows to life. This interactive series offers a unique opportunity to explore the world of theater from a behind-the-scenes perspective, fostering a deeper appreciation for the magic that happens both on and off the stage. Artist Conversations typically last for 20 minutes.
Following the 2 PM performance of A Christmas Carol
Engage with the creative minds behind the scenes through staff-led Artist Conversations. Dig into the artistic process, gain insights into the production’s development, and connect with the actors, directors, and designers who bring our shows to life. This interactive series offers a unique opportunity to explore the world of theater from a behind-the-scenes perspective, fostering a deeper appreciation for the magic that happens both on and off the stage. Artist Conversations typically last for 20 minutes.
Doors Open: 1 PM |Show Begins: 2 PM
Sensory Friendly performances are designed to create a welcoming experience for all, including those with autism or other sensory sensitivities. Elements of Sensory Friendly performances may be adapted to ensure the comfort of all of our audience members. Sensory supports are available for all performances, just ask House Management.
Doors Open: 1 PM |Show Begins:2 PM
The IRT offers ASL/AD services to our patrons with vision and hearing needs. Patrons with hearing needs are encouraged to sit in the interpretation zone and meet with the interpreter before the show. We also offer Assisted Listening Devices free of charge at each performance. To learn more click here.
Following the 2 PM performance of A Christmas Carol
Engage with the creative minds behind the scenes through staff-led Artist Conversations. Dig into the artistic process, gain insights into the production’s development, and connect with the actors, directors, and designers who bring our shows to life. This interactive series offers a unique opportunity to explore the world of theater from a behind-the-scenes perspective, fostering a deeper appreciation for the magic that happens both on and off the stage. Artist Conversations typically last for 20 minutes.
Following the 2 PM performance of A Christmas Carol
Engage with the creative minds behind the scenes through staff-led Artist Conversations. Dig into the artistic process, gain insights into the production’s development, and connect with the actors, directors, and designers who bring our shows to life. This interactive series offers a unique opportunity to explore the world of theater from a behind-the-scenes perspective, fostering a deeper appreciation for the magic that happens both on and off the stage. Artist Conversations typically last for 20 minutes.
The IRT offers a variety of price points and discounts to fit every theatre-goer’s budget! The Ticket Office team can assist you with the best ticketing option.
(he/him) Hernán is a multi-hyphenated artist based in Los Angeles and a proud son of immigrant parents from Mexico. He is thrilled to be making his IRT debut! Regional theatre credits: The Lifespan of a Fact (Aurora Theatre Company), Sanctuary City (Berkeley Rep/ Arena Stage), Cymbeline (American Conservatory Theater), In Love and Warcraft (A.C.T./ Perseverance Theatre). Hernán’s work in the short film Gloria was recently featured at Tribeca Festival. He earned his B.A. at UC Berkeley and his M.F.A. in Acting from American Conservatory Theatre.
Ryan Artzberger
Marley, Fezziwig, Nutley, & Ensemble
Ryan Artzberger
Marley, Fezziwig, Nutley, & Ensemble
Ryan’s IRT credits include A Christmas Carol, Spelling Bee, Little Shop of Horrors, Clue, Oedipus, Cyrano, Tuesdays with Morrie, The Diary of Anne Frank, Noises Off, Romeo and Juliet, To Kill a Mockingbird, The Crucible, A Midsummer Night’s Dream, God of Carnage, Rabbit Hole, Iron Kisses, and Death of a Salesman. Ryan is executive artistic director of the Indianapolis Shakespeare Company. Regional credits include the Shakespeare Theatre Company in DC, the Studio Theatre, Shakespeare Santa Cruz, the Goodman Theatre, Berkeley Rep, the Lookingglass, and Great Lakes. Ryan graduated from Ohio University and Juilliard. “Love to Marita, Will, and Clara.”
Cleo is an actor, writer, and filmmaker based in Los Angeles. He is an alumni of the American Musical and Dramatic Academy (NYC). Tours: Seussical the Musical as Horton and Children’s Letters to God. TV credits: House, M.D.(Fox), Dad Stop Embarrassing Me! (Netflix), School of Rock (Nickelodeon), and the voice of Grant on Firebuds (Disney). Film credits: Love Is All You Need and cult fave The Sand. Favorite Campaigns: Best Buy, DirecTV, and Tide. He is thrilled to return to the stage after fifteen years. “Thanks to my team at AWA, manager Susan Calogerakis, and community for their support. Let’s keep dreaming, y’all!”
Kayla Carter
Mrs. Cratchit, Lamplighter, Charwoman, & Ensemble
Kayla Carter
Mrs. Cratchit, Lamplighter, Charwoman, & Ensemble
Kayla is a singer, actor, and musician who is holly jolly to return for her third IRT Carol. Chicago credits include Roe, How to Catch Creation (Goodman Theatre); The Last Match, Smart People (Writers Theatre); Mansfield Park(Northlight Theatre). Recent regional credits include Riverside(Indy Shakes); Eurydice, As You Like It (American Shakespeare Center); The Moors(American Players Theatre). Film/TV: Knives and Skin (IFC Films), neXt(Fox), Chicago Med (NBC), and SPB (Fox). Graduate of University of North Carolina School of the Arts. Instagram: @kaylacarter.“For the ancestors, forever.”
Kenneth La'Ron Hamilton
Fred, Young Scrooge, Christmas Future, & Ensemble
Kenneth La'Ron Hamilton
Fred, Young Scrooge, Christmas Future, & Ensemble
Kenny is delighted to return to Indiana Repertory for his second Carol. Originally from Ludlow, Kentucky, he now resides in Chicago. Regional theatre: Romeo and Juliet(Chicago Shakespeare Theatre); The Lion in Winter(Court Theatre); Eurydice(Writers Theatre); Much Ado about Nothing(Milwaukee Repertory Theater); Superior Donuts(AthensWest Theatre); Much Ado about Nothing(St. Louis Shakespeare); Macbeth, Twelfth Night(American Players Theatre); A Christmas Carol(American Shakespeare Center); Twelfth Night(Nashville Shakespeare Festival); Romeo and Juliet, The Winter’s Tale, The Merry Wives of Windsor(Cincinnati Shakespeare Company). Represented by Stewart Talent.
Kerah Jackson
Betsy, Young Fan, & Ensemble
Kerah Jackson
Betsy, Young Fan, & Ensemble
Kerah has attended IRT Summer Camp for the past three summers. She has worked with REACT theatre as the Narrator in their adaptation of The Wizard of Oz and with Summer Stock Stage where she performed in a musical production of Disney’s Descendants. She has been training in the dance styles of Jazz, Hip Hop, and Ballet since the age of four. She currently attends Mahogany Contemporary dance academy. Kerah loves reading, writing stories, and painting, and spending time with her family and friends. Kerah looks forward to her continuing growth and opportunities in her developing career as a performer.
Jennifer Johansen
Mercy, Mrs. Fezziwig, Persephone, & Ensemble
Jennifer Johansen
Mercy, Mrs. Fezziwig, Persephone, & Ensemble
(she/her) Among Jen’s IRT appearances are The House That Jack Built, The Game’s Afoot, and The Syringa Tree. Phoenix Theatre favorites include Wild Horses, The Pill, Hir, and The Christians. With the Human Race Theatre, favorites include Gloria: A Life and God of Carnage. Jen is a member of Indianapolis Shakespeare Company where she most recently performed in Love’s Labor’s Lost. Jen proudly serves on the boards of American Lives Theatre and Summer Stock Stage. Proud spouse of Rob Johansen. Jen is a Lunt-Fontanne Fellow. “Dedicated to Bob-O, and to our Puds.”
Rob Johansen
Scrooge
Rob Johansen
Scrooge
(he/him) Rob has been in countless Carolsat IRT and has been honored to take the role of Scrooge for the past five years. Other IRT favorites include The Grapes of Wrath, Cyrano, The 39 Steps, The Mystery of Irma Vep, Underneath the Lintel, Turn of the Screw, The Game’s Afoot, and the pandemic filming ofThis Wonderful Life. Rob is a passionate volunteer at both the Humane Society and Indianapolis Animal Care Services. “Please consider getting all your pets from a shelter!!”
Vivian Morton
Betsy, Young Fan, & Ensemble
Vivian Morton
Betsy, Young Fan, & Ensemble
Vivian is thrilled to make her debut on the Mainstage in her first professional theatre role. A passionate performer, she has trained at two of the city’s premier acting camps, where she honed her skills in voice, movement, and character development. Her previous roles include standout performances in school productions such as Fiddler on the Roof Jr., where she brought warmth and energy to the ensemble. With a love for storytelling and a growing stage presence, she’s excited to continue her journey in the performing arts.
Sofia Perlaza
Tiny Tim, Child Scrooge, & Ensemble
Sofia Perlaza
Tiny Tim, Child Scrooge, & Ensemble
Sofia is delighted to make her IRT debut in A Christmas Carol. A fifth grader at CFI 84, Sofia has attended a series of local camps and classes to grow as a performer. She has also appeared in a wide range of school and community productions, cherishing the memories and lessons each role has given her. Fearless in trying new things, Sofia embraces every opportunity that comes her way. When she isn’t on stage, she can usually be found snowboarding in the winter or chasing adventure. She thanks her teachers, directors, friends, and family for their constant encouragement and support.
Alyssa Naka Silver
Grace, Belle, Penelope, & Ensemble
Alyssa Naka Silver
Grace, Belle, Penelope, & Ensemble
(she/they) Alyssa is a Japanese-Jewish actress, singer, mover, and writer. They are an NYU Tisch Drama graduate where they studied at the Classical Studio, RADA, ETW, and Atlantic. Some recent credits include Wanda in TWUSA's Magic School Bus AEA Tour and Jeanie in Study or Die at Flushing Town Hall. Alyssa is honored and excited to be making her IRT debut with this incredible team. "I send all my love to my parents and my best friends for all their support." IG: @alyssa_silver227
Natasia Reinhardt
Felicity, Christmas Past, Laundress, & Ensemble
Natasia Reinhardt
Felicity, Christmas Past, Laundress, & Ensemble
Natasia returns for their second IRT Carol. They are a low-vision actor and have been seen at the American Shakespeare Center in Romeo and Juliet, The Complete Works of William Shakespeare (abridged), Pride and Prejudice, A Midsummer Night's Dream, and more. They have also been seen at Trustus Theater, Ensemble Theater of Cincinnati, and Richmond Shakespeare Theater. Natasia is also an intimacy choreographer who pioneered the Resident Intimacy Choreographer position at the American Shakespeare Center. "I am forever grateful to my family and partner for their never-ending love and support."
Cate Thomas
Tiny Tim, Child Scrooge, & Ensemble
Cate Thomas
Tiny Tim, Child Scrooge, & Ensemble
Cate is thrilled to be making her IRT debut in A Christmas Carol. She is a 5th grader from Carmel and has been performing on stage since she was 8. Most recently she played Jojo in Seussical Jr. (Civic Theatre) and Marta in The Sound of Music (The Point Theater). She is a proud member of the Jr. Civic Company and loves to sing, dance, and play volleyball. "I would like to thank God, my family, friends, Civic Theatre, and the IRT team. Merry Christmas and Happy Holidays!"
Austin Hookfin
Understudy (Marley, Present, & Ensemble)
Austin Hookfin
Understudy (Marley, Present, & Ensemble)
Austin Hoofkin is thrilled to make his IRT debut! Favorite credits include Tom Collins in Civic Theatre's RENT, performing with Indianapolis' ComedySportz, and Syd/Jimmy in Toni Stone with the Indianapolis Black Theatre Company, where he is a Founding Company Member. Austin is also part of the Act Out Ensemble, bringing theatre to schools statewide to help students explore social issues and healthy emotional expression.
Matt Kraft
Understudy (Cratchit, Fred, & Ensemble)
Matt Kraft
Understudy (Cratchit, Fred, & Ensemble)
(he/him) Matt is an actor and playwright based in Indianapolis. His comedic play about Gotye, Somebody That I Used to Know, premiered at the 2024 IndyFringe Festival. As an actor, Matt has been in several local productions, including Spay(American Lives Theatre), Hedda Gabler (Indy Bard Fest), and A Streetcar Named Desire (Catalyst Repertory). He will next appear in Fatherland for American Lives Theatre in April of 2026. Matt is overjoyed to be a part of A Christmas Carol as an understudy and thanks IRT for the opportunity. “All love to Maggie!”
Isabelle McNamara-Angel
Understudy (Belle, Past, & Ensemble)
Isabelle McNamara-Angel
Understudy (Belle, Past, & Ensemble)
(she/her) Isabelle is a New York City native, thrilled to be making her IRT debut. She is currently completing her final year of her M.F.A. in Acting at IU. Some favorite recent roles include: Maxine Hadley in Dial “M” for Murder (IUST), Renee in Hurricane Diane (Off Night Prod.), Viola in Twelfth Night (IU), and Ilona Ritter in She Loves Me (HC). When not in rehearsal, Isabelle can be found wandering around her favorite galleries and house museums.
(she/her) Sofia is a Hispanic actor from Miami, Florida. She is currently in her third year pursuing her MFA in Acting at Indiana University and holds a BFA in Theatre Performance from Florida International University. She’s passionate about works that inspire change, raise awareness, and foster community. She is also a newly practicing Intimacy Director. Sofia is excited to make her IRT debut! Her recent credits include 4,000 Miles (Bec), Dial “M” for Murder (Margot Wendice), Sanctuary City (G), and Twelfth Night (Olivia), among others.
Creative Team
cara hinh
Director
cara hinh
Director
(they/she) is very happy to be the Associate Artistic Director here at IRT. cara is a queer, fat, Viêt theatre maker and proud Hoosier. cara has worked with theatres around the country. Select: Arena Stage, Atlantic Theatre, Ars Nova, Berkeley Rep, Breaking the Binary, Hangar Theatre, Ma-Yi, MCC, The Movement, Perseverance Theatre, The Playwrights Realm, The Sông Collective, Village Theatre, Working Theatre, and more. cara has been a Drama League Fellow, member of the ‘20-22 Roundabout Directors Group, an Apprentice at Actors Theatre of Louisville, SDC Directing Observer on Hadestown, and a Fellow at Baltimore Center Stage. carahinh.com
Russell Metheny
Scenic Designer
Russell Metheny
Scenic Designer
Russell has designed 75 IRT productions, including A Christmas Carol, The House That Jack Built, Cyrano, The Curious Incident of the Dog in the Night-Time, The Game’s Afoot, Who Am I This Time?, A Little Night Music, Dr. Jekyll and Mr. Hyde, God of Carnage, The Heavens Are Hung in Black, Iron Kisses, The Gentleman from Indiana, Arcadia, and Ah, Wilderness. He has also designed for the Studio Theatre, the Great Lakes and Idaho Shakespeare festivals, Asolo Theatre, Maltz Jupiter Theatre, Weston Playhouse, Dallas Theatre Center, the Old Globe Theatre, Geffen Playhouse, Missouri Rep, the Goodman Theatre, and Goodspeed Musicals.
Linda Pisano
Costume Designer
Linda Pisano
Costume Designer
(she/her) This is Linda's 21st design collaboration with IRT. Her work has been selected twice for the Quadrennial World Design Expo in Prague and twice for the World Stage Design exhibition. She is a three-time winner at the National Stage Expo, and a four-time recipient of the Peggy Ezekiel Award. Her work was featured in a world design exhibition with the Bakhrushin Museum in Moscow and the China Institute of Stage Design in Beijing. She serves as Chair of the Department of Theatre, Drama, and Contemporary Dance at Indiana University in Bloomington, where she is professor of costume design.
Bentley Heydt
Lighting Designer
Bentley Heydt
Lighting Designer
(he/him) Bentley is thrilled to be back for his fourth A Christmas Carol at IRT! He is an NYC–based Korean American lighting designer with a limb difference. Broadway: Tony Award–winning Life of Pi (DMC); How to Dance in Ohio (ALD). Regional/NYC: A Tectonic Cabaret (Tectonic Theatre Project, NYC); Kafkaesque (OOTB NYC); Inherit the Wind (ALD, Goodman Theatre); The Color Purple (Theatre Latte Da and Geva Theatre); All of Me (ALD, New Group, NYC); you don’t have to do anything (HERE Arts, NYC); (no)man (IMGE Dance, NYC); Rock of Ages (Music Theatre Wichita). M.F.A. Ohio University. “Eternally grateful to Michael Lincoln.” bentleyheydt.com
Michael Lincoln
Original Lighting Designer
Michael Lincoln
Original Lighting Designer
Michael has designed 57 productions at the IRT, including A Christmas Carol (1996-2023), Finding Home, You Can’t Take It with You, Noises Off, Who Am I This Time?, A Little Night Music, and The 39 Steps. Highlights of his career include the Broadway productions of Copenhagen and Skylight and international touring. Michael had long associations with the Alley Theatre, Cleveland Play House, Studio Theatre DC, Santa Fe Opera, and Los Angeles Ballet. He was an Ohio University faculty member and Director of the School of Theater until 2020.
Michael Keck
Composer
Michael Keck
Composer
At the IRT, Michael has composed for Sense and Sensibility; Cyrano; Murder on the Orient Express; Looking Over the President’s Shoulder; April 4, 1968 (in which he also acted); and many others. His music has accompanied productions at Syracuse Stage, Guthrie Theatre, Oregon Shakespeare Festival, Milwaukee Rep, The Alliance, Rep St. Louis, Mark Taper Forum, and many others. His international credits include the Market Theatre Johannesburg South Africa, the Barbican Theatre Center, and Bristol Old Vic. He is a member of AEA, SAG–AFTRA, and ASCAP.
Andrew Elliot
Wig Designer
Andrew Elliot
Wig Designer
Andrew is a makeup artist, wig designer, and stylist. His work can be seen with IU Opera and Ballet Theatre, Indianapolis Symphony Orchestra, Beef & Boards Dinner Theatre, Booth Tarkington Civic Theatre, Actors Theatre of Indiana, Phoenix Theatre, Zach & Zack Productions, Summer Stock Stage, and more. As a makeup artist and stylist, his work can be seen locally and nationally in various publications, commercials, industrials, and editorials. He spent 2020 recreating icons of film, fashion, and theatre, which gained national attention, with features in The New York Times, NowThis News, The Indianapolis Star, and Indianapolis Monthly. Andrewelliotbeauty.com
Nicholas A. Owens
Choreographer
Nicholas A. Owens
Choreographer
Nicholas is co-founder and Associate Artistic Director of Kenyettá Dance Company. Credits include Excerpts of Dreams, Signs of the Times, Speaking without Words, Groundwork Suites, Black Dance Matters, Black Box Theory, Sincerely Love, and SummerSolstice and Storiesfor Kenyettá Dance Company; The Color Purple and Ragtime at Booth Tarkington Civic Theatre; America the Modern, Love Is, Mad for Musicals, Super Soul, and Ray & Ella for Dance Kaleidoscope; andA Christmas Carol (2022-2024)and The Reclamation of Madison Hemingsat IRT. Most recently The Color Purple for KaidyDid Productions and Freaky Friday for North Central High school. This is Nicholas's eighth-year teaching at Shortridge High School as the Director of the MYP/CP/DP Dance Program.
Ginger Stoltz
Music Director
Ginger Stoltz
Music Director
(she/her) Ginger has musically directed and performed with many Indianapolis-based theaters and non-profit organizations. Recent projects include Titanic (ATI); Lizzie: The Musical (Summer Stock Stage); Bright Star (Purdue University); Tick, Tick, BOOM! (Phoenix Theatre); Spelling Bee (Butler University); Twelfth Night(Southbank Theatre Co.); Little Shop of Horrors (Claude McNeal Productions); Andrew Lippa's The Wild Party, SpongeBob SquarePants: The Musical, and Fun Home (Footlite Musicals). "I would like to thank my friends, family, and APPS for their love and support."
Claire Wilcher
Intimacy Consultant
Claire Wilcher
Intimacy Consultant
Claire earned her Master of Fine Arts in Theatre from Michigan State University, where she specialized in acting, pedagogy, and intimacy direction. Claire is a Certified Intimacy Director with IDC Professionals (Intimacy Directors and Coordinators), advocating for consent-based theatre spaces, bodily autonomy for actors, and safe-yet-creative storytelling. Her intimacy choreography has been seen on the stages of the IRT, Phoenix Theatre, IndyShakes, Summer Stock Stage, Summit Performance, Purdue University, Marian University, Williamston Theatre in Michigan, Three Brothers Theatre in Waukegan, and Redtwist Theatre in Chicago, among others. More at clairewilcher.com
Richard J Roberts
Dramaturg
Richard J Roberts
Dramaturg
This is Richard’s 36th season with the IRT and his 28th as resident dramaturg. He has also been a dramaturg for the New Harmony Project, Write Now, and the Hotchner Playwriting Festival. He has directed IRT productions of A Christmas Carol, Bridge & Tunnel, The Night Watcher, Neat, Pretty Fire, The Cay, The Giver, The Power of One, and Twelfth Night. Locally he has directed for Actors Theatre of Indiana, Indianapolis Chamber Orchestra, the Edyvean, and many more. Richard studied music at DePauw University and theatre at Indiana University and was awarded a Creative Renewal Arts Fellowship from the Arts Council of Indianapolis.
Erin Robson-Smith
Stage Manager
Erin Robson-Smith
Stage Manager
Since moving to Indianapolis in 2013, Erin has had the pleasure of working with IRT and its incredible staff. Favorite productions include A Christmas Carol, The Paper Dreams of Harry Chin, Pipeline,Finding Home with IRT; The Hotel Nepenthe and Love Bird with the Phoenix Theatre; The Convent with Summit Performance Indianapolis; Sometimes a Great Notion and Frost/Nixon with Portland Center Stage; and Metamorphoses and Frozen with Artists Repertory Theatre. Erin spent the summers of 2008 and 2009 working with the JAW Festival at Portland Center Stage.
Isabella Garza
Assistant Stage Manager
Isabella Garza
Assistant Stage Manager
Isabella is excited to be returning for her fifth IRT Carol. So far, she has worked on 19 shows at IRT! Recent favorites include The Play That Goes Wrong, Clue, and Mary Shelley's Frankenstein. Outside of IRT she can be found working with local theatre companies such as Summer Stock Stage and the Phoenix Theatre.
Kayla Carter in the IRT's 2025 production of A Christmas Carol. Photo by Zach Rosing.
Jennifer Johansen, Alyssa Naka Silver, and Rob Johansen in the IRT's 2025 production of A Christmas Carol. Photo by Zach Rosing.
The cast of the IRT's 2025 production of A Christmas Carol. Photo by Zach Rosing.
Cleo Berry, Rob Johansen, Kenneth La'Ron Hamilton, and Jennifer Johansen in the IRT's 2025 production of A Christmas Carol. Photo by Zach Rosing.
Ryan Artzberger and Rob Johansen in the IRT's 2025 production of A Christmas Carol. Photo by Zach Rosing.
The cast of the IRT's 2025 production of A Christmas Carol. Photo by Zach Rosing.
Rob Johansen and Natasia Reinhardt in the IRT's 2025 production of A Christmas Carol. Photo by Zach Rosing.
The cast of the IRT's 2025 production of A Christmas Carol. Photo by Zach Rosing
The cast of the IRT's 2025 production of A Christmas Carol. Photo by Zach Rosing.
The cast of the IRT's 2025 production of A Christmas Carol. Photo by Zach Rosing.
