The Glass Menagerie

by Tennessee Williams, directed by James Still

March 11 - April 6

Janet Allen Stage

23

Today

Sunday

March 23, 2025

American Sign Language and Audio Description Performance

27

Thursday

March 27, 2025

28

Friday

March 28, 2025

29

Saturday

March 29, 2025

poignant classic

Faded Southern belle Amanda shares a cramped apartment with her two adult children, the painfully shy Laura and the restless poet, Tom. Perhaps a gentleman caller will bring the one thing they all desperately crave: hope. This colorful cast of outcasts and escapists invents beautiful language to survive their drab lives. Looking back at his own family with bittersweet tenderness, Tennessee Williams probes the depths of inescapable memory.

 

Show Resources

Click below to view our digital program!


Study Guide – Download here! 

 

For Christel DeHaan Student Matinee Information, click here.

 

I remember first hearing parts of The Glass Menagerie in high school at speech and debate tournaments. I knew I wanted to focus the attention when Laura is showing off the glass unicorn. I used my neighbor Norah as the model for this painting. We set up a photo shoot in my studio with bright blue lights. I’ve painted her and her family many time over the years. In fact my last show at the Harrison Center starred Norah and other kids from our block. We focused in on blue tones to enhance the cold loneliness of her character entranced by the tiny glass animal.

 

Indianapolis-based artist Kyle Ragsdale has been painting full time, working as a decorative painter and stage set designer, and making fine art for over 30 years. He has served as curator for the Harrison Center since 2002. Ragsdale grew up in Texas and New Mexico, witnessing from a young age a mix of vibrant cultures and large, wild spaces. He earned degrees from Baylor University (BFA) and Southern Methodist University (MFA). Kyle designed sets for Summer Stock Stage for 18 years, and for several productions at the Phoenix Theatre and Cathedral High School. He is currently in his 9th season of creating paintings for the Indiana Repertory Theatre. His work has been shown in galleries locally and nationally, and has been frequently featured on HGTV’s Good Bones. His mural work can be seen in many public spaces around Indianapolis. Kyle creates in a beautiful studio at the Harrison Center, beneath stained glass windows and amidst a menagerie of paints, antiques, and eclectic music. kyleragsdale.com

Know Before You Go

  • Tickets range from $25 to $108
  • Approximately 2 hours and 30 minutes, including one 15-minute intermission.
  • Recommended for 7th grade and above
  • ASL-interpreted, audio described and open captioned performances are available on select dates
  • Content Spotlight: Contains profanity; and antiquated language about race, culture, and gender.

Get Involved!

Special Programming

Show Times

Sun, March 23, 2025

2:00PM

American Sign Language and Audio Description Performance

Thu, March 27, 2025

2:00PM

Thu, March 27, 2025

7:30PM

Fri, March 28, 2025

7:30PM

Sat, March 29, 2025

5:00PM

Sun, March 30, 2025

6:00PM

Wed, April 2, 2025

7:30PM

Thu, April 3, 2025

2:00PM

Thu, April 3, 2025

7:30PM

Fri, April 4, 2025

7:30PM

Sat, April 5, 2025

4:00PM

Sat, April 5, 2025

8:00PM

Sun, April 6, 2025

2:00PM

Cast Members

Sam Bell-Gurwitz
The Gentleman Caller
Sam Bell-Gurwitz
The Gentleman Caller

Sam (he/him) is thrilled to be making his IRT debut! Broadway: Goodnight, Oscar. Regional credits include: The Boys in the Band, (Windy City Playhouse), Goodnight, Oscar (Goodman Theatre), A Shayna Maidel (Timeline Theatre Company), Three Sisters (UV Theatre Project). Television: Next. Proudly represented by Stewart Talent and graduate of the University of Michigan. "I owe everything and more to my fiancée, Savanna."

Felipe Carrasco
Tom Wingfield
Felipe Carrasco
Tom Wingfield

Felipe (he/him) is very excited and grateful to be with you all at IRT. He has worked nationally and internationally with A Red Orchid Theatre, Goodman Theatre, Northlight Theatre, Lookingglass Theatre, Teatro Vista, 16th Street Theatre, Invictus Theatre Co., The Artistic Home, St. Louis Repertory, St. Louis Shakespeare Festival, Dallas Theatre Center, Riverside Theatre, the National Theatre of Scotland, and others. TV : Chicago Fire. Felipe is represented by Grossman and Jack Talent. He holds an M.F.A. from Southern Methodist University. He is cofounder of DaughterBoy Collective, based in Chicago. @daughterboy_collective.

Delaney Feener
Laura Wingfield
Delaney Feener
Laura Wingfield

Delaney (she/her) is thrilled to be making her IRT debut!  Off-Broadway: Richard III (NY Classical Theater), The Cause (Women’s Project Theater). Regional Theatre: Bring Down the House, Midsummer Night’s Dream (Oregon Shakespeare Festival), Othello, Twelfth Night (Notre Dame Shakespeare Festival). Film: Come As You Are (2019), Single (SXSW Special Jury Recognition). TV: FBI: Most Wanted. Member of the Mercury Store Acting Company in NY. “Endless love to my family and friends.” Instagram: @delaneyfeener

Julie Fishell
Amanda Wingfield
Julie Fishell
Amanda Wingfield

Julie is back home in Indiana and honored to make her IRT debut. Credits include The Death of Papa (with Jean Stapleton); Vanya, Sonia, Masha and Spike (dir. Libby Appel); Private Lives; Who’s Afraid of Virginia Woolf?; The Tempest (Prospero); Angels in America; Beckett’s; Happy Days; Death of a Salesman; James Still’s Everybody’s Favorite Mothers. Select stages: NYC/the Public Theater, the Acting Company. Regional: Hartford Stage, Kennedy Center (DC), Virginia Stage Co. International: Prague Shakespeare Co., Moscow Art Theatre (USSR). PlayMakers Repertory Company member (23 seasons), professor of acting UC-Santa Barbara. Education: University of Evansville and the Juilliard School. “For 4J’s&G”

Creative Team

James Still
Director
James Still
Director

James works as a writer and director in theatre, television, and film throughout the United States, Canada, Europe, Australia, South Africa, China, and Japan. Four-time Pulitzer nominee, five-time Emmy nominee, an elected member of both the National Theatre Conference in New York and the College of Fellows of the American Theatre at the Kennedy Center, he is also an Affiliated Artist with American Blues in Chicago. He lives in Los Angeles. The Glass Menagerie is the 24th production he has directed at the IRT.

Edward T. Morris
Scenic Designer
Edward T. Morris
Scenic Designer

Edward has designed for Alabama Shakespeare Festival, Atlantic Theater Company, the Barrow Group, Cherry Lane Theater, Goodspeed Opera House, Kansas City Rep, LaMama, Magic Theatre, Martha Graham Dance Company, Oklahoma City Repertory Theater, San Francisco Playhouse, Shanghai Dramatic Arts Center, the New Group, TheatreSquared, Virginia Stage Company, Weston Playhouse, Westport Country Playhouse, and Yale Repertory Theatre, among many others. He is an advocate and consultant on sustainability in the performing arts. He is a member of United Scenic Artists Local 829 and Wingspace Theatrical Design. He is a graduate of University of Michigan and Yale School of Drama.

Yao Chen
Costume Designer
Yao Chen
Costume Designer

Yao (she/her) works extensively internationally and domestically. She has been an active collaborator with Indiana Repertory Theatre (The Folks at Home, The Paper Dreams of Harry Chin, The House That Jack Built, The Diary of Anne Frank), Merrimack Repertory Theatre, Seven Ages, Ltd, Beijing China, Children’s Theatre of Charlotte, First Stage, Seattle Children’s Theatre, Shakespeare Theatre of New Jersey, Berkshire Theatre Group ,Trinity Repertory Company, Contemporary American Theatre Festival, Orlando Repertory Theatre, Orlando Shakespeare Theatre, Boston Playwright Theatre, TheatreSquared, Lyric Company of Boston, Geva Theatre Center, Cincinnati Playhouse in the Park, and Espresso Theatre in San Jose, Costa Rica. USA 829, yao-chen.com

Michelle Habeck
Lighting Designer
Michelle Habeck
Lighting Designer

This is Michelle’s tenth show at the IRT, including Oedipus. Fahrenheit 451, Twelve Angry Men, A Doll’s House Part 2, Looking Over the President’s Shoulder, Dial “M” for Murder. Broadway: slide artist for Thoroughly Modern Millie; associate/assistant lighting design for The Boy from Oz, Movin’ OutThoroughly Modern Millie, King Hedley II. Off Broadway: Fifty Words for MCC Theatre. Regional: Guthrie, Steppenwolf, Goodman, Alliance, Seattle Children’s Theatre, Minneapolis Children’s Theatre, Cincinnati Playhouse in the Park, Arizona Theatre Company, Penumbra, Lookingglass. Michelle leads the lighting program in the Department of Theatre and Dance at the University of Texas at Austin.

Melanie Chen Cole
Original Music and Sound Designer
Melanie Chen Cole
Original Music and Sound Designer

Melanie is a San Diego–based sound designer. IRT: Mary Shelley’s Frankenstein. Regional theatre credits: Alabama Shakespeare Festival, Alley Theatre, Alliance Theatre, Cincinnati Playhouse in the Park, Cleveland Playhouse, Dallas Theater Center, Denver Center for the Performing Arts, Geffen Playhouse, Goodman Theatre, Huntington Theatre Company, La Jolla Playhouse, Milwaukee Rep, Northern Stage, The Old Globe, PlayMakers Rep, South Coast Rep, Studio Theatre, and the Utah Shakespeare Festival. Education: MFA in UC San Diego. melaniesound.com, @melaniechencole 

Mariel Greenlee
Movement Consultant
Mariel Greenlee
Movement Consultant
IRT: Oedipus, The Curious Incident of the Dog in the Night-Time, and more. Mariel was a dancer with Dance Kaleidoscope for 15 years; she teaches ballet and modern dance locally. She has set dance works for Dance Kaleidoscope, Indianapolis Ballet, Phoenix Rising Dance Company, and Relevations. Theater credits: Pittsburgh Public Theater, Phoenix Theatre, and more. Mariel received the Individual Artist Grant from the Indiana Arts Commission in 2007. She was awarded a Creative Renewal Arts Fellowship from the Arts Council of Indianapolis and was an On-Ramp cohort with the Indiana Arts Commission. She is the founder and artistic director of the Indy Dance Council and Indy Dance Festival.  
Andrew Elliot
Wig Designer
Andrew Elliot
Wig Designer
Andrew is a makeup artist, wig designer, and stylist. His work can be seen with IU Opera and Ballet Theatre, Indianapolis Symphony Orchestra, Beef & Boards Dinner Theatre, Booth Tarkington Civic Theatre, Actors Theatre of Indiana, Phoenix Theatre, Zach & Zack Productions, Summer Stock Stage, and more. As a makeup artist and stylist, his work can be seen locally and nationally in various publications, commercials, industrials, and editorials. He spent 2020 recreating icons of film, fashion, and theatre, which gained national attention, with features in the New York Times, NowThis News, The Indianapolis Star, and Indianapolis Monthly. www.andrewelliotbeauty.com
Claire Wilcher
Intimacy Consultant
Claire Wilcher
Intimacy Consultant

Previous IRT credits include Alice/Brittany in The Folks at Home and Mrs. Peacock in Clue. Other fave recent Indianapolis roles: Heidi in What the Constitution Means to Me (American Lives Theatre); A Midsummer Night's Dream (IndyShakes); Woman in White City Murder and director/head writer of A Very Phoenix Xmas (both at the Phoenix Theatre). Claire is also a certified Intimacy Director with IDC Professionals, and she served as the primary intimacy consultant for the 24/25 season at the IRT.

Richard J Roberts
Dramaturg
Richard J Roberts
Dramaturg
This is Richard’s 35th season with the IRT, and his 27th as resident dramaturg. He has also been a dramaturg for the New Harmony Project, Write Now, and the Hotchner Playwriting Festival. He has directed IRT productions of A Christmas Carol, The Cay, Bridge & Tunnel, The Night Watcher, Neat, Pretty Fire, The Giver, The Power of One, and Twelfth Night. Other directing credits include Actors Theatre of Indiana, the Phoenix, Indianapolis Chamber Orchestra, and the Edyvean. Richard studied music at DePauw and theatre at IU and was awarded a Creative Renewal Arts Fellowship from the Arts Council of Indianapolis.
Erin Robson-Smith
Stage Manager
Erin Robson-Smith
Stage Manager
Since moving to Indianapolis in 2013, Erin has had the pleasure of working with IRT and its incredible staff. Favorite productions include A Christmas Carol, The Paper Dreams of Harry Chin, Pipeline, Finding Home with IRT; The Hotel Nepenthe and Love Bird with the Phoenix Theatre; The Convent with Summit Performance Indianapolis; Sometimes a Great Notion and Frost/Nixon with Portland Center Stage; and Metamorphoses and Frozen with Artists Repertory Theatre. Erin spent the summers of 2008 and 2009 working with the JAW Festival at Portland Center Stage.  
Claire Simon, CSA
Casting
Claire Simon, CSA
Casting
Based in Chicago, Claire Simon CSA has worked with the IRT for the past 25 years on casting more than 40 productions, including Spelling Bee, Little Shop of Horrors, The Folks at Home, A Christmas Carol, Mary Shelley’s Frankenstein, Clue, Oedipus, Sense and Sensibility, and many more. Other regional credits include Syracuse Stage, Asolo Theatre, Lyric Opera, Milwaukee Rep, and the Tony Award–winning Million Dollar Quartet. TV credits include Empire, Easy, Sense8, Chicago FireChicago PD, Crisis, and Betrayal. Film credits include Divergent, Contagion, Unexpected, and Man of Steel. Claire has won two Artios Awards.  
Claire Yenson
Casting
Claire Yenson
Casting

Claire Yensen (she/her) is a casting director who works in film, TV, and theatre. She is the resident casting director at New York Theatre Workshop and Playwrights Realm, and does work for Edinburgh Fringe, JACK, 59E59, the Public Theater, Studio Theatre, Shakespeare Theatre, and the Donmar Warehouse. Film/TV includes XO, Kitty (Netflix); Pachinko (Apple TV+); Fleishman Is in Trouble (FX); Sharper (A24); and Modern Love (Amazon).

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